This week we’re sharing our Toronto Travel Guide, featuring a new giveaway to get your hands on, highlighting tons of new spots to eat & drink, and introducing you to our cool friends: Lynn Nottage & Ruby Aiyo Gerber.
Smør Bakery & Test Kitchen
Coolstuff favorite Smør expands to Williamsburg this week with the Smør Bakery & Test Kitchen. Not just another location, this spot is the creative test kitchen behind the brand and will also (thankfully) serve as a neighborhood bakery. You can expect tons of unique items here where the team will be working on long term R&D as well as seasonal experiments with guest chefs. And for those of us that love their hot dishes, don’t worry – there will also be breakfast and lunch to stay or for takeaway. Open daily from 8a-5p at 155 Powers Street.
Have you ever been to one of MoMA PS1’s legendary Warm Up parties? The series begins it’s 27th year next week with performances from 4-10p on six Friday evenings in July and August. With the goal of introducing audiences to underground and emerging talent in electronic music, this year’s lineup includes John Glacier, Sarz, and Special Request, among others.
In addition to music and dancing, Yto Barrada’s monumental Installation, Le Grand Soir, will serve as your backdrop, with food available from Street Vendor Project. Truly the perfect way to warm up and kick off a summer weekend.
OH and we’ve partnered with MoMA PS1 to giveaway 10 pairs of tickets to the July 18th Warm Up! To enter, follow the link below and tell us your favorite part of Summer in NYC - that’s it! We’ll randomly draw 10 winners and contact you via email to share the good news if you’ve won!
Entries are open until 11:59p ET on Sunday July 13th. GOOD LUCK!!!
Guest-written by Elena Mahno
As the weather warms and the East River reaches a gentle boil, we often begin looking North and dreaming. In that spirit, this week’s guide looks to our neighbors just across Lake Ontario…Toronto. Written by Elena Mahno, an artist, designer, and former resident of Toronto, this one is super special!
Toronto doesn’t always show off—but if you know where to look, it’s full of small, excellent moments strung together across the city. The city’s diversity is still refreshingly within reach, making it easy to drift between neighborhoods in a single day. With that kind of cross-town competition, spots must really bring it to earn their keep. This guide is for the uninitiated to help you wander slowly, eat well, and try those spots that sit just slightly off the obvious. Everything on this list has earned its place (in my opinion), and with the exchange rate on your side, even the indulgences will feel sensible.
Meet Lynn & Ruby, the mother-daughter duo collaborating on a new opera, This House. Lynn is a two-time Pulitzer Prize winner in drama (the first woman to do so) and Ruby is a versatile artist and poet whose work has earned her commissions from the Metropolitan Opera. We caught up with these power houses ahead of the debut of This House to get a glimpse into the minds of two creative geniuses.
How did your career as a playwright and screenwriter begin?
(Lynn) My first audience was my parents and their friends. As a child, I’d compose short plays, performed by myself and my brother, which we presented at my parents’ dinner parties. The adults were very polite and tolerant, and showered us with adulation. It is then that I became addicted to applause and being in dialogue with an audience. That said, I began my professional career as a writer when I won a short play competition at the Actors’ Theater of Louisville. It was my first dose of validation, which ultimately became the fuel I needed to quit my full-time job and invest in writing.
Lynn, huge congratulations for being the first woman in history to win two Pulitzer Prizes for Drama! How did this impact your career?
Winning the Pulitzer for the first time was unexpected and a wonderful surprise. It was also strangely disorienting, as it thrust me into the spotlight. Suddenly, new golden opportunities emerged, including speaking engagements and a kind of visibility I hadn’t yet experienced. As a shy person, I had to cultivate a public persona. The prize also exposed my work to a broader audience and made people sit up and pay attention to me as a storyteller.


It's so cool that you work together as a mother-daughter duo team! Tell us about the process of co-writing the libretto for the new opera, This House.
Adapting Ruby’s play into the opera, THIS HOUSE, was a delightful and bonding experience for both of us. In the process, we discovered that we had different skills that uniquely complemented each other. Ruby is a poet with a genuine gift for language and the ability to conjure beautiful metaphors. From years of playwriting, I understand structure and how to craft characters. We were able to strike a lovely working balance, tackling different aspects of the opera, allowing each other creative freedom, and then collectively finding a way to stitch everything together in a seamless way. We also had a glorious collaboration with composer Ricky Ian Gordon, who embraced both of our voices and further synthesized them in the opera.
What’s your favorite part about the New York theater community?
The close-knit, nurturing dynamic of the New York theater community is home. It has been a communal space for us, lively and ever evolving, with one goal, which is to find new ways to share stories.
Is there anything we should know about This House, and how New Yorkers can see the show?
It is the story of a brownstone in Sugar Hill, Harlem, and Zoe, who returns to her neglected childhood home, which is still occupied by her brother Lindon, who’s a painter, and her mother, Ida. Now, married and pregnant, Zoe and her husband are trying to decide whether to move back into the old house, which is haunted by the memories of three generations of her ancestors, who embody the house. However, Ida’s mother and brother still cling to the past and find themselves locked in an emotional conversation with the house and ancestors that feel more alive to them than the world outside, which is rapidly being gentrified.It is our dream to bring This House to New York. The piece is set in Harlem, so it feels appropriate for it to be produced here.
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